Gewinner des Un Certain Regard Preises in Cannes ! Gewinner des Internationalen Spielfilmwettbewerbes Züricher Film Festival Gewinner „Baltischer. Kim Ki-duk (koreanisch 김기덕; * Dezember in Bonghwa, Südkorea; † Dezember in Riga, Lettland) war ein südkoreanischer Filmregisseur. KI hilft bei visuellen Effekten im Film. Inzwischen kann die Künstliche Intelligenz aber auch einschätzen, ob ein Film finanziell erfolgreich ist und.
CAST & CREWKI hilft bei visuellen Effekten im Film. Inzwischen kann die Künstliche Intelligenz aber auch einschätzen, ob ein Film finanziell erfolgreich ist und. Es erwarten Sie spannende und vielfältige Filme sowie Diskussions- und Austauschmöglichkeiten zum Thema Künstliche Intelligenz. Das KI Science Film Festival. Das Eye Filmmuseum in Amsterdam stellte sich vor einigen Jahren die Frage, wie sie neues Leben in ihren großen Bestand an historischem Filmmaterial.
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The film was considered by many critics to be the best film of as well as one of the best films of the decade, and is the 46th highest-rated film of all-time on Metacritic.
Among its numerous accolades , Parasite won a leading four awards at the 92nd Academy Awards : Best Picture , Best Director , Best Original Screenplay , and Best International Feature Film , becoming the first non-English language film to win the Academy Award for Best Picture.
It was also the first South Korean film to receive Academy Award recognition, and one of three films to win both the Palme d'Or and the Academy Award for Best Picture.
At the 56th Grand Bell Awards , Parasite earned a leading eleven nominations with five wins. The Kim family—father Ki-taek, mother Chung-sook, son Ki-woo and daughter Ki-jung—live in a small semi- basement apartment banjiha ,  have low-paying temporary jobs as pizza box folders, and struggle to make ends meet.
Leaving to study abroad, he suggests that Ki-woo pose as a university student to take over his job as an English tutor for the daughter of the wealthy Park family, Da-hye.
Ki-woo poses as a Yonsei University student and is hired by the Parks. The Kim family recommends one another as unrelated and highly qualified workers to take over as servants of the Parks.
Ki-jung poses as "Jessica" and, using Ki-Woo as a reference, becomes an art therapist to the Parks' young son, Da-song. Ki-jung frames Mr Park's chauffeur for having sex in the car, then recommends Ki-taek to replace him.
Finally, Chung-sook takes over as the Parks' housekeeper after the Kims exploit the peach allergy of the long-time housekeeper, Moon-gwang, to convince Mrs Park that she has tuberculosis.
When the Parks leave on a camping trip, the Kims revel in the luxuries of their residence before Moon-gwang appears at the door, telling Chung-sook she has left something in the basement.
She enters a hidden entrance to an underground bunker created by the architect and previous homeowner, where Moon-gwang's husband, Geun-sae, has been secretly living for over four years, hiding from loan sharks.
Chung-sook refuses Moon-gwang's pleas to help Geun-sae remain in the bunker, but the eavesdropping Kims accidentally reveal themselves.
Moon-gwang films them and threatens to send the video to the Parks. A severe rainstorm brings the Parks home early, and the Kims scramble to clean up the home and subdue Moon-gwang and Geun-sae before they return.
The Kims trap Geun-sae and Moon-gwang in the bunker. Mrs Park reveals to Chung-sook that Da-song had a seizure -inducing traumatic experience on a previous birthday, when he saw a "ghost"—actually Geun-sae—emerging from the basement.
The Kims manage to sneak out of the house, but not before hearing Mr Park's off-handed comments about how Ki-taek smells bad. They find their home flooded with sewer water and are forced to shelter in a gymnasium with other displaced people.
The next day, Mrs Park hosts a house party for Da-song's birthday with the Kim family's help. Ki-woo enters the bunker with the scholar's rock to face Geun-sae.
Finding Moon-gwang has died from a concussion she received during the earlier fight, he is attacked by Geun-sae, who bludgeons his head with the rock and escapes, leaving Ki-woo lying in a pool of blood in the basement.
Seeking to avenge Moon-gwang, Geun-sae stabs Ki-jung with a kitchen knife in front of the horrified party guests.
Da-song suffers another seizure upon seeing Geun-sae, and a struggle breaks out until Chung-sook fatally impales Geun-sae with a barbecue skewer. While Ki-taek tends to a severely bleeding Ki-jung, Mr Park orders Ki-taek to throw the car key to him so he can take Da-song to the hospital.
In the chaos, Ki-taek, upon seeing Mr Park's disgusted reaction to Geun-sae's smell, takes the knife and kills him.
Ki-taek then flees the scene, leaving behind the rest of the Kim family. Weeks later, Ki-woo is recovering from brain surgery.
He and Chung-sook are convicted of fraud and put on probation. Ki-jung has died and Ki-taek, wanted by the police for Mr Park's murder, cannot be found.
Geun-sae has been assumed to be a homeless man, and neither his nor Ki-taek's motive for the stabbings are known. Ki-woo spies on the Parks' home, now sold to a German family unaware of its history, and sees a message in Morse code from a flickering light.
Ki-taek, who escaped into the bunker via the garage, has buried Moon-gwang in the backyard and now raids the refrigerator at night and flickers the light every day, hoping Ki-woo will see it.
Still living in their original basement apartment with his mother, Ki-woo writes a letter to Ki-taek, vowing to earn enough money to one day purchase the house and reunite with his father.
The idea for Parasite originated in While working on Snowpiercer , Bong was encouraged by a theatre actor friend to write a play. He had been a tutor for the son of a wealthy family in Seoul in his early 20s, and considered turning his experience into a stage production.
Bong said "Because the story is about the poor family infiltrating and creeping into the rich house, it seems very obvious that Parasite refers to the poor family, and I think that's why the marketing team was a little hesitant.
But if you look at it the other way, you can say that rich family, they're also parasites in terms of labor. They can't even wash dishes, they can't drive themselves, so they leech off the poor family's labor.
So both are parasites. After completing Snowpiercer , Bong wrote a fifteen-page film treatment for the first half of Parasite , which his production assistant on Snowpiercer , Han Jin-won, turned into three different drafts of the screenplay.
Bong said the film was influenced by the Korean "domestic Gothic" film The Housemaid in which a middle-class family's stability is threatened by the arrival of a disruptive interloper in the form of household help.
Bong said "I got this feeling that I was infiltrating the private lives of complete strangers. Every week I would go into their house, and I thought how fun it would be if I could get all my friends to infiltrate the house one by one.
Darcy Paquet , an American residing in South Korea, served as translator for the English subtitles and worked directly with Bong.
It is a mix of Chapagetti and Neoguri produced by Nongshim. Paquet believed the word ram-don did not previously exist as he found no results on Google.
With an unfamiliar word, the humor is lost". Principal photography for Parasite began on 18 May ,   and ended days later on 19 September The Parks' house was a specially constructed set.
The ground floor and the garden were constructed on an empty outdoor lot, while the basement and first floor were constructed on set.
Bong, as part of the scripting, had also designed the basic layout of this home. Each character and each team has spaces that they take over that they can infiltrate, and also secret spaces that they don't know.
Lee said, "Since Mr Park's house is built by an architect in the story, it wasn't easy finding the right approach to designing the house I'm not an architect, and I think there's a difference in how an architect envisions a space and how a production designer does.
We prioritize blocking and camera angles while architects build spaces for people to actually live in and thus design around people.
So I think the approach is very different. Lee said the sun was an important factor when building the outdoor set. In terms of practical lighting, the DP [director of photography Hong Kyung-pyo] had specific requests regarding the color.
He wanted sophisticated indirect lighting and the warmth from tungsten light sources. Before building the set, the DP and I visited the lot several times to check the sun's movement each time, and we decided on the set's location together".
The Kims' semi-basement apartment and its street were also built on set, partially out of necessity for filming the flooding scenes.
He also created stories for the Kims' neighbours and added details of those residents along the street to improve the authenticity of the street's appearance.
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