Cabrinha Overdrive QL Trimlite. Für Kiter aller Könnerstufen – vom Anfänger bis hin zum Profi –, die einen mit Single-Line-Safety (1X) kompatiblen. Nun releasen wir den letzten Act für das Overdrive ! Freut euch auf feinsten Melodic-Hardcore-Punk aus Kanada Nach 6 Alben und unzähligen Tourneen. Centurion Overdrive Gravel Z - Wh - - 28 Zoll - Herren für €,- () bei trangdenonline.com jetzt bestellen.
Centurion Overdrive Gravel Z4000 GT - 250 Wh - 2021 - 28 Zoll - DiamantOverdrive Festival · clock Saturday, June 19, at PM – PM UTC+02 · pin Lannergasse 1, Kapfenberg, Österreich Show Map Hide Map. Cabrinha Overdrive QL Trimlite. Für Kiter aller Könnerstufen – vom Anfänger bis hin zum Profi –, die einen mit Single-Line-Safety (1X) kompatiblen. Eventjet Events - Kulturwerkstatt "podium" presents Overdrive Festival - Saturday, June at Haus der Begegnung Schirmitzbühel, Kapfenberg.
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Director: Antonio Negret. With the gain up, the volume up and the tone pulled back, the Tube Screamer is pure blues heaven. But open up the tone, push the volume and you'll find that it's more than capable of delivering modern rock tones.
Dime the volume with the gain pulled back a bit, and in front of a tube amp you'll be in metal territory. A classic modern metal 'djent' tone can be achieved with a TS set up as a boost; that is, gain down, volume way up, tone up, in front of a Peavey or similar high-gain amp.
Bring down the bass at the amp and get chugging. The Timmy is the classic 'transparent' overdrive. Based on the Tube Screamer, but without the same compression and without its trademark 'mid-hump' EQ profile, the Timmy is much more versatile as a drive.
All of your favorite tricks with a Tube Screamer can be achieved, with the added bonus that the Timmy stacks incredibly well with other boosts and overdrives.
Funnily enough, it even stacks well with, you guessed it, a Tube Screamer. In addition to its flatter and more 'open' EQ profile, the Timmy boasts arguably more powerful user controls, with a bass cut and a treble cut control.
Particularly for heavier rock sounds, being able to remove bass is what allows you to dial in a drive tone that's not heavily compressed, but is also not 'woofy' and loose.
The original Klon Centaur is right in the middle of the Venn diagram overlap for 'rare' and 'expensive', but luckily there are a number of high-quality clones on the market, of which the Tumnus is one of the better units.
Not only is it a great-sounding, faithful reproduction of the most unobtainium overdrive in the business, it's also housed in a small-form-factor, A-sized enclosure, meaning it doesn't take up much pedalboard real estate at all.
In terms of sounds, the Klon is often described as 'transparent', but we've always found it to be distinctly colored, chewy in its drive tone at lower gain settings, and crunchy and dry with the gain up — these qualities are also true of the Tumnus.
Although it may not be transparent, it can still be used as a slightly colorful boost in front of a tube amp with the gain down and volume up. And while it would be mad to pay for an original unit for this kind of use, employing the more affordable Tumnus to smash a tube amp into saturation isn't sacrilege.
Another drive in the extended TS family, the OCD goes from light drive and light compression to almost fuzz-like territory, depending on the model.
It's got quite a distinctive sound, which tends to overtake the tone of your amp a little — but in that respect, it's really no different from the TS itself or the Klon, both of which have a very recognisable tone.
The OCD is sometimes marketed under the 'transparent' overdrive umbrella, but that's not how we would describe it, as in almost all configurations it colors your tone in a very noticeable way.
The Santa Ana produces fat lead tones as well as distinctive hard rock rhythm crunch, and the switchable boost function is great for punching a solo above the mix level setting or adding extra creamy compression and sustain gain setting.
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